Agreed On Texts

I've been asked now twice in the last month and a half, "What are you reading?" The first time I said nothing. The second time, having been prepared for this from the first time, I said something about the poems of Sir Walter Scott, even though I've pretty much abdicated from reading them. I need to get back to them.

I was sitting in a chair today -- worried as usual -- and thinking I should read something. There was a book I was thinking of but I didn't know where it was. So I'm sitting there another 10 minutes and glancing around, the very book was four feet in front of me, almost hidden in a stack. So I read from it. It didn't help very much but a little. The thing is I know something about this, and the whole point of that particular text, if you went to the very heart of it, is that you don't really need texts. The real text is in here (tapping my empty head).

So I'm sitting here now tapping out another empty text. These paragraphs and the others I've written today, like at Grandma Slump. I like the entry over there because it picks up on this feeling of worrying and being down. But once you've written it and read it you think, OK, that's done. That helped for that minute but now it's just a thought that came from my own head. It's hard to be entertained by thoughts that come from your own head. One thing about it is that what the text is is a very selective part of the thoughts that come from your head, like .0001% of the thoughts you have all the time.

Who really can be entertained by themselves? It's like Frank Sinatra who said he never listened to his own records. And why should he? The voice was in his throat somewhere, lurking with him all the time. He didn't need a needle to remind him.

But there are these texts that get to us collectively. The Bible is the biggest, most obvious one. I think the Bible is fantastic, but it's a dangerous book because of what people have done with it. It's like it's intentionally dangerous and wouldn't pass OSHA standards if someone wrote it now. It has enough stories with jagged edges that it keeps us perpetually fascinated. That's probably one of the keys to writing an agreed on text. Don't round the edges. Leave it rough. So it appeals to everyone, from the Sunday School child with a white hankie to the biggest flaming, psycho, apocalyptic kook in the world.